Saying the book is better than the movie is a tired, if true, response to a film adaptation of a novel. That said, when the screenplay is written by the author of the novel I hold out more hope for the movie. Unfortunately, in adapting her book, Me Before You, Jojo Moyes abridged much of the detail
Imagine dropping Nancy Drew into a neo-noir film from the 1970s, but Miss Drew has taken on some of the characteristics of Tatum O’Neal in The Bad News Bears. This contrast and the chemistry between stars Russell Crowe and Ryan Gosling provide most of the fun in the noir comedy The Nice Guys, a
Money Monster focuses on one particularly tense day on the set of the eponymous financial advice show. In the wake of Ibis, a large financial company, losing $800 million dollars of investors’ money, Money Monster host Lee Gates (George Clooney) is in the midst of covering the fallout and trying
The Huntsman: Winter’s War is so bad it breezes past the potential for “so bad it’s good” enjoyment and straight into boring, incoherent territory. Whereas the film seems to aspire to an anti-Frozen narrative by focusing on two sisters who are very powerful and very wicked, its real achievement
Between Gilmore Girls and Ghostbusters, Melissa McCarthy continues to pick projects certain to keep her career rolling. I find the projects where she has more creative control more interesting, even if, like The Boss, the results are not entirely successful.
The Boss centers on the rise and fall, or
My Big Fat Greek Wedding was the second movie I ever reviewed for this paper, back when I didn’t even have a driver’s license yet, and my parents had to drive me to the theater. It was a charming sleeper hit that became the highest grossing romantic comedy of all time. I was one of its many fans
You know what I’m afraid of more than aliens? Car accidents and strangers. 10 Cloverfield Lane takes a step back from the sci-fi scares of the first film in the franchise and instead presents audiences with an emotionally complex nail-biter about a woman held captive in an underground bunker, allegedly
Whiskey Tango Foxtrot, the latest film starring Tina Fey, is most interesting as a war film that doesn’t engage with either patriotism or the discourse of brotherhood that is so paradigmatic of the genre. Instead, the story is told through the critical, somewhat jaded perspective of embedded reporters
The subtitle for Race, the new biopic about Olympic medalist Jesse Owens, should have been, “See What We Did There?”. Like the obvious double meaning of the title, the film itself continually uses easy conventions and sentimental shortcuts. Although Race is well acted and beautifully made once
Hail, Caesar!, the latest film from the Coen brothers, playfully represents Hollywood during the Golden studio system, with a tongue-in-cheek humor about the machinations of star making without steering into full-blown spoof.
The film centers on Eddie Mannix (Josh Brolin), an executive at Capital Pictures
I think it is rare for filmmakers to really portray children playing authentically, capturing the randomness and abandon in their fun. Mustang, the French film nominated for Best Foreign Language Film at this year’s Oscars, captures moments of make-believe and roughhousing between five sisters in
The Revenant, which means “one who has returned, as if from the dead”, is our semi-annual reminder that the frontier was violent, dangerous, and bleak. The film also features a performance from Leonardo DiCaprio that is so committed it seems like a dare to the Academy to pass him over for an Oscar
It has been a frustrating few months for me when it comes to the movies. Repeatedly, I went to a movie that seemed sure to impress and walked away underwhelmed. I thought maybe it was me, that I had become hard to please, but the box office reports and critical consensus confirm that it has not been
This fall, I’ve reviewed a string of movies that have good working parts that do not quite come together to make a good movie. For various reasons, they have fallen short of their intended tone, or simply fallen flat. Secret in Their Eyes continues this trend, featuring strong performances and interesting
The fear of being buried alive is a primal terror that has spawned its share of scary stories and legends. Yet, for miners, that fear is connected to a very real danger. In the event of a mine collapse, being buried alive is a real possibility. In August 2010, 33 miners in Chile’s San Jose mine
With our own elections dragging on for longer each cycle, audiences might wonder why they would want to see a movie about a presidential campaign in a Central American country, run by American strategists. Our Brand Is Crisis offers many of the frustrating tactics that we have come to expect and cringe
Every year, a new version of Malala Yousafzai’s story has come out. Two consecutive summers featured the release of an autobiography by the iconic activist. This year’s offering is the documentary He Named Me Malala.
He Named Me Malala takes a non-linear approach to telling the story of the young
As we headed into the theater on Friday, my fiance turned to me and asked, “So, is The Martian just Castaway on Mars?” Although the connection seems obvious, I think the emphasis on community in the film gives it a lighter tone and many fun characters to keep the plot going.
In The Martian, astronaut
In 2011, after 12 years on the run, James Bulger, one of the most notorious Irish mobsters in Boston, was captured and faced 32 counts of racketeering, including 19 murder charges. Black Mass, a movie controversial among those who lived through the events, depicts the rise of Bulger from small-time
Amid the genuinely terrible movies that come out at the end of summer, came a film starring Robert Redford, Nick Nolte, and Emma Thompson. With that formidable cast, and a plot that seemed hard to mess up, I was sure that A Walk in the Woods was better than my other options. The movie, however, is
In The Man from U.N.C.L.E., director Guy Ritche seeks to blend Mad Men style nostalgia for Cold War period pieces with the winking style of current genre films. The result is a stylish, fun, but ultimately unremarkable spy movie that is enjoyable to watch, but probably not worth your ticket money.
Have you ever run into someone at the store and not been able to place where you know them from, so you just played along? Now, imagine if that awkward moment did not end there, but instead spiraled into unwanted visits, confrontations, and drudging up old secrets. That is the premise of The Gift.
I am as big a fan of the Minions as any adult really has the right to be. There’s something wrong, however, when I take my eleven year-old sister to see Minions and the hardest she laughs is at the title characters singing the fanfare for the Universal Pictures logo.
Minions follows the little guys
If the opening sequence to Pixar’s Up made you cry, pack your tissues for Inside Out, the studio’s new film about what happens inside your head when you have a feeling, a daydream, a nightmare, and more.
Inside Out focuses on the emotions—Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill